Suchayan.Maity1

This course helps you&nbsp;find your natural and expressive singing voice. You will learn the basis of melody, pitch, rhythm and timing. You will go through a range of exercises which help you with your breath, posture, attitude and release. You will learn to sing popular songs that get you started on the journey of performing in front of audiences.&nbsp;

<ul>
	<li>Learn breathe control</li>
	<li>Learn about vocal range</li>
	<li>Learn alankars, sargams</li>
	<li>Learn basic talas used in film music</li>
	<li>Learn few filmy ghazals</li>
</ul>

<ul>
	<li>Learn about voice textures</li>
	<li>Learn breathing techniques</li>
	<li>Learn intense alankars</li>
	<li>Learn tala orientation</li>
	<li>Learn filmy geets</li>
</ul>

&bull; Learn expressions of music

&bull; Learn differences between straight tone and vibrato

&bull; Learn basic aalaps

&bull; Learn gamaks

<ul>
	<li>Learn diction</li>
	<li>Learn voice protecting techniques</li>
	<li>Learn detailed sargams</li>
	<li>Learn 7/8 rhythm pattern</li>
	<li>Learn thumri</li>
</ul>

<ul>
	<li>Learn vibrato</li>
	<li>Learn throwing</li>
	<li>Learn sufi songs</li>
	<li>Learn basic western classics</li>
</ul>

<ul>
	<li>Learn falsetto</li>
	<li>Learn murki and harkat</li>
	<li>Learn sliding</li>
	<li>Learn semi-classical compositions</li>
	<li>Learn bridges</li>
</ul>

<ul>
	<li>Learn live singing</li>
	<li>Learn voice control</li>
	<li>Learn composing difficult alankars and tanas</li>
	<li>Learn compositions of Ustad Rashid Khan</li>
</ul>

CHAPTER ONE : THE BREATH

Understanding the breath analogy with breath management technique and building stamina and longevity.

CHAPTER TWO : THE VOICE

Understanding the voice technique with breath and vocal exercises to develop the self-voice through dimensions of length, breadth and depth.

CHAPTER THREE : THE MIND

Understanding the mind, voice and breath trilogy and exercises pertaining to develop the same through visualisation technique.

CHAPTER ONE : OMKAR &ndash;&nbsp; THE UNIVERSAL SOUND

The Universal sound the primordial concept is important with direction of the spiritual aspect of music. Exercise

CHAPTER TWO : THE SA - RE - GA COMBINATION 

(SHRUTI BASED)

Understanding the concept of three swar placement and combinations.

CHAPTER THREE : THE TAAL CONCEPT

First bases of taal concept by adding Laya concept (Ashtak) to it.

CHAPTER ONE : THE SHADJA CONCEPT

Understanding the concept of Shadja &ndash; the mother of all swaras. Application of the triology concept and enhancing exercises to amplify the importance of the concept.

CHAPTER TWO : THE KHARAJ

Understanding the importance of Kharaj and its application in singing. Exercise pertaining to the development of the concept.

CHAPTER THREE : RHYTHYM ZONE (LAYA - ASHTHAK) CONCEPT

Subtle understanding of the concept of Laya (Ashtak) the concept and use and application of its use in singing.

<ul>
	<li>Voice Basics: Breathing, Control, Diction
	<ul>
		<li>Understanding the mechanics of breathing while singing and applying proper breath control</li>
		<li>Developing clear and articulate diction while singing</li>
		<li>Improving vocal range and tone quality by practicing scales, arpeggios, and other vocal exercises</li>
	</ul>
	</li>
	<li>Hindustani Classical Music Theory &amp; Practice
	<ul>
		<li>Basic principles of Hindustani classical music, including the study of raags (melodic frameworks), taals (rhythmic cycles), and sargam (vocal notation)</li>
	</ul>
	</li>
	<li>Light Music: Gazals, Bhajans, Folk &amp; Bollywood Songs
	<ul>
		<li>Learning to sing popular Indian light music genres such as gazals (lyric poetry), folk songs, and Bollywood film songs</li>
		<li>Analyzing and interpreting lyrics and melodies of light music compositions, and learning to apply appropriate vocal techniques and styles to different light music genres</li>
	</ul>
	</li>
	<li>Vocal Performance - Preparing and performing Indian light music compositions in a live setting, and developing performance skills such as stage presence, mic technique, and audience interaction</li>
</ul>

<ul>
	<li>Understanding basic concepts of thumri and its genres, including its history, structure, and musical elements.</li>
	<li>Learning various semi-classical genres such as Dadra, Kajri, Hori, Rasiya, Chaiti, Baramasa, and Classical Bhajans.</li>
	<li>Exploring different thumri-related raags in detail, including their characteristic features, scale, and melodic phrases.</li>
	<li>Developing an understanding of the traditional forms of improvisation used in thumri and other semi-classical genres.</li>
	<li>Learning to apply appropriate ornamentation techniques, such as meend, gamak, khatka, and murki,&nbsp;to enhance the expressiveness of the music.</li>
	<li>Improving the ability to perform semi-classical compositions with proper intonation, timing, and rhythm.</li>
	<li>Developing the ability to appreciate and analyze semi-classical music compositions in a meaningful way.</li>
</ul>

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